As Denison’s art community grows, so does the pool of collectors, prospective buyers, and art enthusiasts. Part of dealing with artwork, whether in a gallery situation, as an individual artist, or simply as an owner of original art, is knowing how to protect it. So what are the issues? Actually, there are many things that can seriously and negatively impact fine art, but here are a few of the major factors. Be sure to consider these things as you buy, present, or store your favorite works.

Light

Light is one of art’s worst enemies. UV rays damage pigments and substrates much like they damage our skin causing accelerated aging or deterioration. It is ALWAYS a good idea to position artworks where they do not receive intense light exposure (natural or otherwise) for prolonged periods of time. Almost all media will see the negative effects of light at some point in their lifetime. However, watercolors, gouache, inks, wood, paper, and some photographic processes are more sensitive to light than other mediums.

If your display space is flooded with light, try using UV filtering glass or acrylic to ward off fading. Also, rotate your artwork. Change the placement of works regularly to give them a break from the light source. Most importantly, be sure to observe the works on a regular basis. Look for signs of fading, yellowing, or other inconsistencies. If you spot a problem, contact a conservator, custom picture framer, or reputable gallery for advice.

Moisture

Another problem is moisture. It can attack almost any type of artwork causing buckling, foxing/mold damage, staining, or absolute destruction to water-soluble media. However, many moisture-related problems are reversible if detected early. Many types of mold spores (sometimes called foxing) can attach to paper art works or the reverse side of paintings on canvas causing a variety of discolorations, stains, deterioration to the substrate, or unusual smells. Most of these organisms can be safely removed by a paper conservator, but some staining may remain. Be sure to check your works on paper and canvas regularly for small black or brown spots, or any discoloration caused by direct contact with water.

What about a piece of art that has developed a severely wrinkled or warped surface due to moisture exposure? Most of the time this can be corrected, but bear in mind that it is the nature of paper to expand and contract with moisture changes. If it has happened once, there is a good chance it will happen again periodically if the artwork is not relocated. If the paper has been completed saturated with water and has partially adhered itself to glass or other framing materials, this may not be reversible. Consult an experienced professional for either of these problems.

Presentation & Storage

One thing many forget is that framing and storage of artworks can be a contributing factor to deterioration if not done correctly. Make sure your picture framer is using acid-free conservation quality products for protection of your works and ask for methods that can be safely "reversed" later down the road. Store unframed art in a cool, dry area sandwiched between layers of acid-free mat board or foam center board. Acid-free storage boxes and tubes are also available for larger pieces or full collections.

As a final note, the most important overall suggestion is to evaluate the placement of your works and use common sense. Think about humidity, temperature, light, and general hazards like food spills, combustible materials near the work, or heavy foot traffic in the display area. Remember, an ounce of prevention is worth a pound of cure!

Want to learn more about what is happening in the arts community? You can find a listing of upcoming art events here on the Events page or check the Chamber Works calendar or by visiting the Chamber of Commerce Website.